16 mm film digitized, 2 min 58 s.
Production Le Grand Café – centre d’art contemporain, Saint-Nazaire
For Chroniques de l’invisible, Ismaïl Bahri gives us a specific observation of Saint-Nazaire’s organic and (pre)historic territory.
In his film, which is similar to a photograph, it is an attempt to give movement, a tiny vibration to an immutable mass, filmed inside a megalithic monument in the region.